Computer Music
计算机音乐/Ji4 Suan4 Ji1 Yin1 Yue4
電腦音樂
CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: True
CHEARS:
EARS:
这个术语涵盖了一个宽泛的音乐领域，其创作过程中至少会使用一部或者多部计算机。在以算法为主要创作手段的情况下，计算机可以充当（辅助）作曲家的角色。另外一种情况是从声音合成的角度出发，计算机可以被当作一件乐器，换句话说，它是生成声音的设备（音源）。在某些演出的过程中，计算机会被搬上舞台用以创作或者操控声音。最后还有一种情况，计算机可以对输入的表演信息作出分析与“回应”，这种形式被认为是互动式作曲。在前两种情况下，有时必须耗费大量的编译时间才行；而后两种情况则归属于实时的范畴之内。最近一段时间，音乐制作方面又一次见证了网络计算机在应用领域的延伸。
This term covers a broad range of music created through the use of one or more computers. The computer may work as (assistant) composer. In this case one speaks of algorithmic composition. Alternatively the computer can be used as an instrument; that is, the computer is the place where the sounds are to be generated. Here one speaks of sound synthesis. The computer is sometimes brought on stage to create and manipulate sounds made during performance. Finally, the computer may analyse incoming performance information and "reply" in what is known as interactive composition. The former two possibilities sometimes necessitate a good deal of compilation time; the latter two belong to the category of real-time. More recently, music making has witnessed the extensive use of networked computers.
EARS 2:
This term covers a broad range of music created through the use of one or more computers.
The computer may work as (assistant) composer, as in Algorithmic music.
Alternatively the computer can be used as an instrument; that is, the computer is the place where the sounds are to be generated, for example sound synthesis.
The computer is sometimes brought on stage to create and manipulate sounds made during performance.
Finally, the computer may analyse incoming performance information and ‘reply’ in what is known as interactive composition.
The former two possibilities sometimes necessitate a good deal of compilation time; the latter two belong to the category of real time. More recently, music making has witnessed the extensive use of networked computers. [Landy 1994, 127–128, EARS] The International Computer Music Association’s Annual conference, ICMC extends this definition to include things ranging from computer-aided cognition, analysis, information retrieval and much more thus going well beyond the act of music making. Much computer music therefore has little to do with sound-based music.
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