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Technological Listening

科技聆听/Ke1 Ji4 Ling2 Ting1

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CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: False

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EARS:

This term was introduced by Denis Smalley to describe a listening mode amongst those with expertise in electroacoustic techniques. It is rooted in an aesthetic orientation that technology should ideally have a transparency in electroacoustic music making and listening. Implicit in the term is the danger that composers and musicians become divorced from the musical experiences of non-experts. The more informal term recipe listening is sometimes used.

Technological listening occurs when a listener 'perceives' the technology or technique behind the music rather than the music itself, perhaps to such an extent that true musical meaning is blocked. (Source - Denis Smalley (1997). Spectromorphology: Explaining Sound-shapes. Organised Sound Vol. 2, No. 2. Cambridge: Cambridge University Press.)

EARS 2:

参看其它/See Also

Causal Listening/();
Hi-Fi and Lo-Fi/(高保真与低保真);
Modes of Listening/(聆听模式);
Quatre Écoutes/(四维聆听);
Reduced Listening/(化约聆听);
Semantic Listening/(语义聆听);

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评论/Comment ID	用户名/User Name	内容/Content	时间/Input Date
198	mungo	Implicit in the term is the danger that composers and musicians become divorced from the musical experiences of non-experts. It implies that composers and musicians will be an expert in musical experiences of EA music. However, there is a potential danger in this situation.	8/6/2014 2:41:35 AM

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