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Reduced Listening

化约聆听/Hua4 Yue 2ling2 Ting1

n/a

CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: True

CHEARS:

EARS:

In Schaefferian theory, reduced listening is the attitude which consists in listening to the sound for its own sake, as a sound object by removing its real or supposed source and the meaning it may convey.

More precisely, it is the inversion of this twofold curiosity about causes and meaning (which treats sound as an intermediary allowing us to pursue other objects) in order to turn it back on to the sound itself. In reduced listening our listening intention targets the event which the sound object is itself (and not to which it refers) and the values which it carries in itself (and not the ones it suggests).

In "ordinary" listening the sound is always treated as a vehicle. Reduced listening is therefore an "anti-natural" process, which goes against all conditioning. The act of removing all our habitual references in listening is a voluntary and artificial act which allows us to clarify many phenomena implicit in our perception.

Thus, the name reduced listening refers to the notion of phenomenological reduction (Époché), because it consists to some extent of stripping the perception of sound of everything that is not "it itself" in order to hear only the sound, in its materiality, its substance, its perceivable dimensions.

Reduced listening and the sound object are thus correlates of each other; they define each other mutually and respectively as perceptual activity and object of perception. (Source - Michel Chion (1983). Guide des Objets Sonores. Eds. Buchet/Chastel, Paris. 1995 translation by John Dack/Christine North.)

Reduced listening is the most often used Schaefferian term in the English language.

EARS 2:

(originally Écoute Réduite) In Schaefferian theory, reduced listening is the attitude which consists in listening to the sound for its own sake, as a sound object by removing its real or supposed source and the meaning it may convey. More precisely, it is the inversion of this twofold curiosity about causes and meaning (which treats sound as an intermediary allowing us to pursue other objects) in order to turn it back on to the sound itself. In reduced listening our listening intention targets the event, which the sound object is itself (and not to which it refers) and the values which it carries in itself (and not the ones it suggests). [Chion 1883, EARS]

参看其它/See Also

Abstract Sound(s)/(抽象声音);
Causal Listening/();
Écoutes Banales et Practiciennes/(寻常与实际聆听);
Écoutes Naturelles et Culturelles/(自然与文化聆听);
Électro/();
Interiority/(内在化);
Modes of Listening/(聆听模式);
Quatre Écoutes/(四维聆听);
Referential Sound/(参考声音);
Semantic Listening/(语义聆听);

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