电子音乐的实践与创新
Marc Battier Masters Class For Electroacoustic Music

19th April

MORNING:

*François BAYLE

Rosace 5 (Vibrations composées 9, 1973)

Rosace I (Vibrations composées 1, 1973)

Film music: Emergency Heart, music by BAYLE, film by KAMLER, 1973

BAYLE: Polyrythmie (Vibrations composées 7, 1973)

BAYLE: ...au jardin (Grande polyphonie, 1974)

BAYLE: Erosphere (Erosphère) 2009

1) Very Sweet Earthquake (Tremblement de terre très doux), 28'10

2) Red Eros – The End of Noise – Blue Eros (Eros Bleu – La fin du bruit － L'infini du bruit – Eros Rouge), 16'18

3) Whirligig in the Sky (Toupie dans le ciel), 24'

*Kaija SAARIAHO, Stilleben (1988) 
Hörspiel (Radio play, or sound art for radio, or radio creation)

AFTERNOON:

Musique Concrète and Electroacoustic Music in France the Paris School: A Symphony of Noises and The Singing Locomotives

*Étude aux casseroles, also known as Étude pathétique by Pierre Schaeffer, (1948).

Technology of a radio studio; Primitive Techniques; The GRM (Groupe de recherches musicales).

Musique concrète and Phonogènes

*Michel Chion, Guide To Sound Objects (English translation by John Dack)

---

Analog modular synthesizer at GRM: 1968

18th April

*SCHAFFER: Concrete Music

Railroad Train Station, Etude Pathetique (closed loop); Phonogènes in Étude aux allures.

*NORMANDEAU: Live Memories, 1989 (fore and background)

*Francois BAYLE (1932- ): join SCHAFFER's GRM (Group Researcher Musical)

*BAYLE: Rosace 5, 1973 (visualization after 20 years)

*Jonathan HARVEY, Mortuos plango, vivos voco (1980)

Spectral Music: Gerard Grisey, Partiels (1975), for chamber ensemble.

17th April

Electroacoustic Music Workshop
Marc Battier

MORNING:

*Electroacoustic music and Electronic music: Musical creation, when the music has called for sound technology.

Electroacoustic sources can be composed of sounds (or samples) of various origins: natural sounds, processed or not; instrument or vocal sounds, transformed or not, even electronic sounds, as long as they are mixed or used with "concrete" sounds...Electronic sounds are composed of sounds produced by electronic or digital devices: synthezisers, oscillators, electronic musical instruments.

*Modes of presentation

Electroacoustic music is often played along with live performers. It is then called "mixed music". Example: Karlheinz Stockhausen, Kontakte (1960)

COMPOSITION FROM SPECTRAL ANALYSIS: Jonathan HARVEY, Mortuos plango, vivos voco (1980), 8-channel tape piece.

Early Musique Concrète and Developments: "Musique concrète" is the first name given to electroacoustic music by Pierre Schaeffer in Paris, in 1948.

Chamber ensemble and tape: Alejandro VINAO, Triple concerto (1983-1984) Flute, piano, cello and tape.

Music created live using gestural controllers and sensors with 2 examples: 1) Atau TANAKA and Sensorband (using body sensors and hand controllers); 2) Laetitia SONAMI and the "Lady's glove".

AFTERNOON:

Spectral music (create sound with musical instrument): GRISEY and MURAIL.

Process Music: Steven Reich, It's Gonna Rain and Come Out.