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Sound Symbol

声音符号/Sheng1 Yin1 Fu2 Hao4

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CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: False

CHEARS:

EARS:

In the realm of composition, the concept of the Sound Symbol, or Sound-as-Symbol is a means of attempting to understand electroacoustic music whose discourse and narrativity is based on relationships between sounds selected precisely for their referential or extrinsic signifying potential. This approach should be compared to the Schaefferian notion of Reduced Listening. Closely related are the concepts of sounds serving metaphorical or metonymic functions within signifying practice. Trevor Wishart has written extensively on the subject.

Certain sounds, such as the sea, wind, thunder, machines, bells, and so on, may carry symbollic functions within cultures. In the realm of Soundscape studies sounds within our everyday environments may be classified, analysed and studied in terms of any such symbolism. Chapter 12 of R. Murray Schafer's seminal book on the soundscape, The Tuning of the World (Knopf, 1977), represents an early example of such a discussion.

EARS 2:

参看其它/See Also

Anecdotal Composition/();
Diapositive Sonore (Sound Slide)/(幻灯片);
Discourse within Electroacoustic Music/(论述电子音乐);
Mimesis/(摹仿);
Narrative/(叙述性);
Referential Sound/(参考声音);
Representation/(表示法);
Re-presentation/(再展示);

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