Recording
录音/Lu4 Yin1
錄音
CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: True
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EARS:
在电子音乐领域中，很多电子音乐的创作都在一定程度上应用了录音技术。历史上，这些电子音乐一般是由具体音乐（Musique Concrète）演变而来，包括通过录音作品的声音针对工作室的研究。我们很难将录音创作的发展看做是一个完全独立的过程，它是音乐制作的一个组成部分，而不是对已有的音乐表演单纯的记录或者即兴创作。
录音可以是单声道的，立体声的，多声道的（它的应用一般是为了捕捉声音在空间中的运动过程而不是通过后期制作来模拟）或是某一种环绕声格式，比如Ambisonic。有时候在一些特定环境下会用到一些特定的专业话筒比如近距离话筒或者水下话筒。
在法语中，我们可以在（prise de son）这个专业术语中体会到更多的细微差别。理论家米歇尔·琼（Michel Chion）提出了“修正”（fixing）声音这样一个概念（sono-fixation），以突出录音中所表现出来的非被动的，积极创作的状态。因此这个概念称为：l'Art des Sons Fixés.
Many forms of electroacoustic music making are founded on the use of sound recording at some stage of their creation. Historically, those forms of electroacoustic music descended from the Musique Concrète comprise of studio-based investigation into recorded sound objects. The processes of sound recording and composing are frequently impossible to conceive of as entirely independent; recording is part of the musical creation rather than a documentation of the performance of an existing music or improvisation.
Recording may be monophonic, Stereophonic, multi-microphone (usually in order to capture spatial movement of sound at source rather than simulate it later) or in one of many possible surround sound formats e.g. Ambisonic. Sometimes specialist microphones such as contact mics or underwater mics will be employed in the recording of material.
In the French language much greater nuance is possible around this term (prise de son). The theorist Michel Chion has proposed the notion of 'fixing' sounds (sono-fixation) in preference to sound recording to highlight the non-passive and creative activity which it represents. Hence the term l'Art des Sons Fixés.
EARS 2:
Recording technology allows us to capture sounds and store them so that they can be played back later.
Recorded sounds may also be edited.
See Also: Sound Recorder
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