Basketball Glitch/篮球小失误

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Basketball Glitch

篮球小失误/

n/a

CHEARS: False
EARS: False
CMT: False
EARS2 Encyclopedia: False

CHEARS:

EARS:

EARS 2:

What sounds can you recognise?

Bouncing balls

Squeaking shoes

Spectator noise

Notice how these three sounds capture the basic essence of a game of basketball

But this is not a naturalistic recording of a basketball game

The composer is manipulating and organising the real sounds to create interesting sound qualities and a more abstract sense of spaces

sometimes using small sounds, repeated many times to create longer streams of sound

or s t r e t c h i n g them

The composer also uses automation to change the pattern of loudness

Listen to how the composer paces the next section

gradually slowing down the cycling stream of sound

until...

We enter a brief chaotic and dynamically intense section

that transforms into sounds of the spectators

We are now placed into the crowd and given a different sonic perspective

Listen very carefully to how the bouncing ball sound 'mimics' the drums

The composer is utilising rhythmic elements in this section - creating cyclic gestures with multiple sound streams

In this composition the recorded sounds are used mostly for their sonic qualities

However... the composer still chooses to remind us, at various points throughout the composition, where the sounds really come from

Listen to the interplay of granular textures and streams, their movement through the stereo field, and the use of dynamic envelopes

This section introduces a tonal quality, based on the tonal elements of the spectators' horns

Recognisable sounds are beginning to emerge again

as the composition comes to a close

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评论/Comment ID	用户名/User Name	内容/Content	时间/Input Date
210	mungo	What sounds can you recognise? Bouncing balls Squeaking shoes Spectator noise Notice how these three sounds capture the basic 'essence' of a game of basketball But this is not a 'real' sounding space The composer is manipulating and organizing the real sounds to create interesting textures and other sonic spaces Sometimes using small sounds, repeated many times to create longer streams of sound or s t r e t c h i n g them He also uses parameters such as amplitude envelopes to create dynamic variations and geatures and gestures with the sound streams Listen how the composer paces the next section gradually slowing down the cycling stream of sound until... We enter a brief chaotic and dynamically intense section that transforms into sounds of the spectators We are now placed into the crowd and given a different sonic perspective Listen very carefully to how the bouncing ball sound 'mimics' the drums The composer is utilising rhythmic elements in this section - creating cyclic gestures with multiple sound streams In this composition the recorded sounds are used mostly for their sonic qualities However, the composer still chooses to remind us, at various points throughout the composition, where the sounds really come from Listen to the interplay of granular textures and streams, their movement through the stereo field, and the use of dynamic envelopes This section introduces a tonal quality, based on the tonal element of the spectators' horns Recognisable sounds are beginning to emerge again as the composition comes to a close	10/7/2014 7:22:41 PM

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