Scratching
打碟/Da3 Die2
n/a
CHEARS: False
EARS: True
CMT: False
EARS2 Encyclopedia: False
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EARS:
这个术语的概念是：在高度可操控性的唱机上实时搓动12英寸碟盘。它起源于美国迪斯科舞厅，DJ艺术家们开始将他们的唱片按顺序编号逐个播放，使用重叠，交叉淡化等手法，在同一节奏和音调的基础上，切换到另一台唱机。不久后就发展到一个好的DJ艺术家可以把打碟作为伴奏或独奏乐器，并随着鼓机，其他轨道或人声同台表演。（未完待续）
The term scratching was coined to describe the practice of the real-time manipulation of 12-inch discs on highly adapted turntables. It grew up in US discos where DJs began to programme the records they played, running them together, cutting one into another on beat and in key, superimposing, crossfading and so on. Soon this developed to the point where a good DJ could play records as an accompanying or solo instrument, along with a rhythm box, other tracks or singing. New and extended techniques emerged: for instance the rhythmic slipping of disc to and fro rapidly by hand on a low friction mat to create rhythms and cross rhythms, alongside old Musique Concrète techniques: controlled speed alterations and Sillons fermé riffs. (Source - Chris Cutler (2000). Plunderphonics, in Simon Emmerson, ed. Music, Electronic Media and Culture. Aldershot: Ashgate.)
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