赋有乐感的声音—具体音乐之类型学与形态学
THE SOUND OF MUSIC_typology and morphology of concrete music
• "From the very moment musical notation is invented (in Europe approximately 1000 years ago) and used for composition, the direct link with the concrete sound is broken"
• Musique Concrete is an inversion of traditional composition which goes from the abstract (composition) to the concrete (performance)
• In concrete music, sounds cannot be conceived "a priori" (based on theoretical reasoning beforehand without sensorial experience) but have to be worked out similar like a sculptor's work
• Where sound producing instruments refer to underlying structures _a music of "signs"_, in Concrete Music musicality arises from the continuous movement within the sound material itself, revealing shape and development within the perceptual field of the listener
Key composer: Pierre Schaeffer (1910 - 1995)
Works: Unsettled Line_Maurizio Martusciello (2000); Ton Dieu Ne S_appelle-t-il pas ego_Alain de Fillipis (1993); L'heure alors S'incline_Christine Groult (1994).
Keywords: Musique Concrete, Listening Types, Typology, Morphology
Start Time: Wednesday, December 22, 2010/10:00 AM
End Time: Wednesday, December 22, 2010/3:00 PM
城市/City: 沈阳/Shenyang
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