诺日朗
Nuo Ri Lang (2010)
作品介绍/Program Notes:
In Tibetan faith, Nuo Ri Lang is said to be the title of the god of masculinity. To extract the spiritual essence of the Tibetan culture, the composer utilized the concepts of "Zhuan Jing" and "Samsara" as its predominant features. The composer transformed the cultural concepts into a specific kind of electroacoustic musical language that is characteristic of the utilization of "loop" technique of different kinds of acoustic material. The loops and the spiral structure are highly symbolic of the cosmological outlook of "round" in Tibetan culture and daily life of the Tibetan people, --for instance, the above-mentioned "Zhuan Jing", the twisting of Buddhist beads, worshiping the Mani stone, and the Tibetan circular dance. The principle of loop in philosophical depth could be found in multiple dimensions. Intertwined small loops constitute larger loops, while the circulation of larger loops completes the whole piece.
技术支持/Technique Notes:
For five percussion, video and electroacoustic music.
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