作品 that include 声 which are 故意 意味 to be 识别 as or linked with a 特定 声波 创作 对象

An 叙事 is a short story about an interesting place or occasion 叙事 樂/乐 uses interesting 声 which are strongly 连接 to their 原始/原创 place or occasion

These 声 can then be set up in 有趣 or 超现实 ways

叙事 作品 are often playful with the 声 that they 用 创作 不可能 组合 of different 识别 声 or playing with and 变形 the 语义（上下文） or 位置 in which these 识别 声 存在 much like 透视 changes or 技巧 in 电影

They don’t have to be used as part of a 传统 叙述性 as might be the 案例 within 无线电声 And they tend to 弯 and play with 现实 more than 声景观（声景） 作品

虛/抽象 Journeys by Andrew Hill an 例如 of 叙事 樂/乐
This 作品 plays with our 经验 of the real world by 颠覆 what we 期望 to happen next 声 will begin and lead us in a certain 方向 before 移位/偏移 and changing completely!

Fact
It is often 争论 that Schaeffer’s ‘Etude aux Chemins de Fer’ is an anedcotal 作品 of 樂/乐 even though 舍费尔 was trying to make a 作品 of 樂/乐 實/具体 The train 声 are often 识别 and 唤 up links with our own 内存（记忆） or thoughts about 蒸汽 trains

The first 作品 to be named 叙事 樂/乐 was “Hétérozygote” by Luc Ferrari

活动
Think of a 熟悉 声景观（声景） How could you 操控 some of the 声 or add new 声 so as to 变形 the 声景观（声景） in a 奇异 or 有趣 way