学习 to 听 in different ways Either to the 属性 of the 声波 itself 樂/乐 聆 or to the 源 of the 声波 contextual 聆


聆 In Different Ways

The way in which we 听 to 声 can change Often when we 听 we try to 听 the 源 that is 创作 the 声波

But we can also 听 to the 声 on their own 自由 of their 源 When we 听 to 声 on their own we 听 them 乐

Hover over the 图像 to 听 the 為耳/音频

聆 Challenge
Play the 跟随 声 and try to 听 to them contextually and 乐

声波 One
What are the 属性 of the sound? / What does it 声波 like?

声波 Two
What are the 属性 of the sound? / What does it 声波 like?

声波 Three
What are the 属性 of the sound? / What does it 声波 like?

声波 Four
What are the 属性 of the sound? / What does it 声波 like?

Discuss what you 听 with a partner What do you 听 when you try to 听 musically? What do you 听 when you 听 contextually?

Contextual or Musical?
Sometimes we want listeners to make a 联系 between the 声波 and its 源 Other times we want the 声波 to be 听 to on its own

When 皮埃尔 舍费尔 识别 that 人 听 in different ways he identified that the most 重要 difference was whether 声 were recognisably linked to things from the world or 不 He 描述 these as either 實/具体 or 虛/抽象 contextual or 樂/乐 ways of 聆

The extent to which a 声波 is 识别 can be either a useful 工具 or an annoying hinderance to 樂/乐 made of 声 Some 声 even if they are 生成 will be 识别 to listeners as 声 linked to something in the world

The Magical Power of Transformations
Through his experiments with 声波 皮埃尔 舍费尔 also 识别 that you can change the way in which 人 think about 声 by 循环 them

循环 Sound
The 声波 begins and we 听 the 源 but soon the 节奏 and 品质 of the 声波 emerge and take over

In this way the 声 have moved from being 實/具体 to 虛/抽象 From having a contextual link a place and real world link to being 听 乐 as 节奏

作曲 Task
Experiment with 循环 and duplicating 声 in the “Compose With Sounds” 软件

Can you 听 the way in which you 听 to these 声 change?

Extra
Other 变形 are also able to change the way in which we 听 to 声

Filters
Transposition
Time-Stretching
Reverse
拼贴