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This 术语 has been used inconsistently throughout the years Currently it is 通常 used to designate 声波 装置 联合 with 艺术 galleries and 博物馆 大众 声音 艺术 and site-specific 声音 艺术 events Its German 相当于 Klangkunst is in greater 用途 than this English 语言 术语

EARS2
声波 艺术 is a 一般 类别 that 包括 many different 种类 of 作品 It is mainly used to 描述 声波 底/基于 作品 that are designed for 艺术 galleries 博物馆 or 大众 places


What different 种类 of 声波 艺术 are there?

声波 艺术 is quite a broad 类别 and can be used to 描述 many different 种类 of 作品

Two 主要 catagories of 声波 艺术 are
1
固定 media

The 作品 is made in the 工作室 and does 不 change It is set up in a special way or in a special place but is simply played back on a long 循环

2
Interactive

The 作品 is constantly changing according to how 人 or things 交互 with it 声波 输出 is 控制 by some outside changing 参数


What are 固定 媒体（媒介） 声波 艺术 Works?

固定 媒体（媒介） 声波 艺术 作品 play back 声 that do 不 respond directly to outside 影响（作用） However by moving about the 空间 getting nearer to some 声 and further 形（曲）式 others the 听众 can change what it is that they 听 and 改 their 经验 of the 作品

1958 Philips Pavillion

An 可沉浸 声波 艺术 装置 that also 合并 电影 工程 and lighting within a custom built building 创作 especially for the 1958 world fair in Brussels

Two 樂/乐 作品 were played back over 350 扬声器 dotted all across the 内在 walls of the building The 作品 were composed by Edgard 瓦雷兹 and Iannis Xenakis

声 would travel all around the 听众 in great sweeps as well as up and down the walls


Extra
You can 经验 a 虚拟 现实 模拟 of the whole Poème électronique 经验 online here This allows you to wander through the pavilion 听 the 声 as they travel through the 虚拟 空间 and view the 伴奏 图像

Pandemonium – Janet Cardiff & George Bures Miller

An 装置 within a disused American prison in which 对象 struck and hit doors walls and 对象 创作 a cacophony of 声波 that 混响 throughout the empty prison wing

Even in the 立体声 声波 錄/录 of this 装置 you can 听 the 声 that are far and those that are near

想像 being in this 空间 with the 声 happening all around you

http //www cardiffmiller com/artworks/inst/pandemonium html


Fact
Many early 装置 were 固定 媒体（媒介） because the 技术 to 录 and respond to outside 交互 used to be very complicated and expensive

固定 媒体（媒介） 装置 often make 用 of the individual 特征 of the 空间 within which they are 底/基于 Taking advantage of the 自然 声学 and architectural 属性 of the building


What are 交互 声波 艺术 Works?

也许 it is helpful to think about a 作品 of 交互 声波 艺术 as being a large 乐器 One that is set up and then left to be played

Celeste Boursier-Mougenot's 装置 at the London Barbican Gallery in 2010

In this 作品 the 声波 藝者/艺者 has set up the 作品 of the 装置 and left the 声波 制作 to the birds!

乐谱 for a Hole in the Ground – Jem Finer

Jem Finer 创作 a 作品 of 声波 艺术 called 乐谱 for a Hole in the Ground which is played by dripping water slowly falling down into a large hole in the ground