The 术语 emergence can be taken as indicating a 意识 utilisation of the changing boundaries between the subject 听众 interpreter and the maker 藝者/艺者 作曲家 in which the former interacts with what the latter has made such that the 作品 can be said to emerge in its 'use' rather than having been designed in its entirety by the 藝者/艺者 and then 'presented' This too might be regarded as a 原则 enhanced by the mechanisms 科技 and 社会 联合 with 数字 技术 Paraphrase of Simon Waters 2000 Beyond the 聞/幻听 混合 tendencies in 電聲學/电声学 樂/乐 in Simon Emmerson ed 樂/乐 电子 媒体（媒介） and Culture Aldershot Ashgate